Y2K Rings

A ring gets seen up close more than almost any other accessory, and this collection treats that scrutiny seriously — organic sculptural silver, translucent cast resin, and sharp radiating spike constructions. Sixteen rings, most built as genuine small sculptures rather than a stone set into a plain band.

Chunky Resin Rings cast a rounded dome in genuinely translucent, marbled resin — no two rings carry an identical swirl pattern, light passing through and around the colour rather than just reflecting off a flat surface. Acrylic Ring keeps that dome shape but in a single, solid saturated colour, and Eye Ring pushes the resin format into figurative territory, a dimensional iris detail raised against a white dome base.

These pieces work as a genuine callback to 90s and Y2K chunky-jewellery trends, when a bold plastic ring was as much a colour statement as a sculptural one.

Abstract Ring and Liquid Ring curve and loop in genuinely organic, asymmetric shapes — metal that reads as poured or fluid rather than machined to a uniform cast. Star Ring and Cyberpunk Ring take the opposite approach, sharp radiating points bursting from a central band at two different intensities, one closer to a celestial burst, the other pushed into harder, more aggressive angles.

Vampire Ring and Flame Ring both work an open, tapered silhouette — a fang-like point on one, an asymmetric flame shape on the other — rather than a closed circular band.

Cross Ring bridges two fingers with a connecting bar rather than sitting on a single digit, a genuine two-finger Y2K accessory format. 8 Ball Ring renders the classic pool-hall symbol in a formal signet shape, and Planet Ring works a small orbiting detail around a set stone for a compact cosmic reference. Gothic Ring and Razor Blade Ring lean darker — a thorn-wrapped heart stone against a fully serrated band.

Dome Ring keeps its statement purely in weight and polish — a substantial rounded gold shape with no additional stone or graphic detail. Streetwear Ring takes the opposite approach, connecting three thin bands into one pre-assembled set that mimics the look of stacked rings without the actual layering effort.

Very few pieces in this collection are a plain band with a stone set into it — most are built as a genuine sculptural object first, wearable second. That's the throughline between the translucent resin domes and the fluid silver pieces: shape carries the design, not a single set stone.